Emotion in closed captions

In a few weeks time I will teach a new three week course called Responsive Typography. In this course my students will give emotion to closed captions. The idea came from a conversation I had with Marie van Driessche. She explained that she needs closed captions to understand movies, like all Deaf people do, but that many fine details in the audio track are lost. The neutral sans serif, and the neutral descriptions of sounds doesn’t cover the complete experience. So I will ask my students to create a typographic experience of a film scene that’s more complete.

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Why we need an Exclusive Inclusive Design Master

Those of you who managed to read my master thesis about designing with real people with real disabilities, and managed to read all of it, may remember that one of my conclusions is that we need an exclusive design master program in The Netherlands. Together with my colleague Irene Kamp we’ve started the bureaucratic journey of setting up such a master. I think it’s important that everybody knows what we’re doing, and why we’re doing it. And as always, I would love to hear your ideas.

More?Keep reading Why we need an Exclusive Inclusive Design Master

Exclusive Design Master

Last Friday I successfully presented the conclusions of the research I have been doing for that past two years. I have researched web accessibility by flipping the ability bias: instead of designing exclusively for people like myself , I have designed tailor made websites exclusively for people with disabilities.

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Son, what is this?

My father sent me a support email: all of a sudden he couldn’t log into his account for the newspaper he reads. The error message he read was not Greek to him, because he speaks Greek fluently. It was in some other language. It resembled Dutch, which he speaks fluently as well, he knew the words, he just didn’t understand what they mean. Here’s a translation:

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Bye bye, dear blackboard car

As a kid I always wanted to draw on cars. But I wasn’t allowed to. So four years ago we painted our silver grey car with a slightly darker blackboard paint.

Want to see photos?

Chartoni: my corrugated cardboard hifi speakers

A while ago Jan Wessel Hovingh gave me a Raspberry Pi Zero as a thank you gift for a talk I gave at the University of Applied Sciences in Leeuwarden. I decided to create my own streaming audio speakers with this Pi. After quite a bit of DuckDuckGoing, quite some help from many wonderful people and some work it’s done: two hifi speakers made out of layers of corrugated card board, powered by a Raspberry Pi.

Read the rest of Chartoni: my corrugated cardboard hifi speakers

My new research blog

I created a new research blog. That’s where I’ll be documenting my master research. Which means that I will be mostly publishing over there. This blog will probably be even more sleepy that is has been. So if you’re interested in the research I’m doing in accessible web design you can better move over there. You can subscribe to that blog via RSS if you want to.

Exclusive Design at Beyond Tellerrand

The amazing Marc Thiele invited me to give a talk at his incredible Beyond Tellerrand conference in Berlin. The line-up was simply amazing. Mina Markham did a beautiful talk which is worth your time for so many reasons. You should all watch it. And I absolutely loved the talk that Paula Sher did. She is even more fantastic on stage that she is on Netflix.

More after the click

An extended report of the first Exclusive Design Challenge

I published a much more graphically appealing and much more detailed report of the very first The Good, The Bad, and The Interesting Exclusive Design Challenge. It’s filled with the beautiful pictures that Gitta Schermer took of the event. And I added some graphs as well!

Technical details?

The First The Good, The Bad, and The Interesting Exclusive Design Challenge

In the past year I recorded conversations with an eclectic mix of 40 designers and published them on my site under the moniker The Good, The Bad, and The Interesting (mostly in Dutch). This summer I decided to invite all my guests for the very first The Good, The Bad, and The Interesting Exclusive Design Challenge. This weekend 16 people showed up for this event. I’m probably biased, but it was fantastic. (A more detailed report of this event can be found here)

Tel me more!

Can Exclusive Design make the web more accessible?

Theoretically the web is in itself accessible for people with disabilities. The theory is wonderful. Yet in practice we’re not there yet.

Nope

Exclusive Design Principles

I learned from Jeremy Keith (who learned it from Cennydd Bowles, who learned it from Jared Spool) that good design principles are reversible. To test if a design principle works, the exact opposite rule should work as well. I decided to put the Paciello Group’s Inclusive Design Principles to the test. What happens if you reverse all these principles? They should result in something that you could name exclusive design principles.

What are they?

Design meets Disability

I read quite a few books about designing for accessibility in the last few months. Most of them were about so called inclusive design, and most of them were focused on designing inclusively for the web. While I learned a lot, and while I thoroughly enjoyed all the books I read, there was one book that stood out: Design Meets Disability by Graham Pullin. It stood out because of its different approach to designing for accessibility.

That’s interesting

I created Journa11y

I created a first iteration of a little tool I plan to use. Or to be more precise, a tool I hope you will use every now and then. It’s inspired on a project Manon Mostert – van der Sar made, where she asked makers in het maker’s lab to log their failures in a booklet. I ask you to log design decisions that influence accessibility on a website. And I call it Journa11y.

What does that mean?